
Raku ceramic “Alexander The Great” greek art nanouris ( Via Jayshree Rai, Pinterest)

Raku ceramic “Alexander The Great” greek art nanouris ( Via Jayshree Rai, Pinterest)

Alexander directed by Oliver Stone. Colin Farrell as Alexander The Great.
Macedonian Criticism of Oliver Stone’s film Alexander (Letter Sent to Movie Critics – November 2004)
1) Where are the Historical Errors in the film?
Stone has Collin Farell (the actor playing Alexander) saying to the Macedonians before the battle of Gaugamela against the Persians that they are fighting for “the glory of Greece.” Ancient sources do not write that Alexander fought for the “glory of Greece” but for that of Macedonia. Three ancient historians detailed Alexander’s address to the army before the battle. And each one of them made a clear distinction between Macedonians, Greeks, Illyrians, and Thracians, as four separate ethnicities that composed Alexander’s army. Here are the words of the Roman historian Curtius Rufus: “Riding to the front line he (Alexander the Great) named the soldiers and they responded from pot to spot where they were lined up. The Macedonians, who had won so many battles in Europe and set off to invade Asia … got encouragement from him – he reminded them of their permanent values. They were the world’s liberators and one day they would pass the frontiers set by Hercules and Father Liber. They would subdue all races on Earth. Bactria and India would become Macedonian provinces. Getting closer to the Greeks, he reminded them that those were the people (the Persians on the other side) who provoked war with Greece, … those were the people that burned their temples and cities … As the Illyrians and Thracians lived mainly from plunder, he told them to look at the enemy line glittering in gold” (Curt.3.10.4-10)
Notice what Alexander told the Macedonians – “Bactria and India would become Macedonian provinces”. It is for the glory of Macedonia, not for the glory of Greece. The Greeks, are here a second nation of importance to Alexander. Throughout Oliver Stone’s film there is confusion whether the Macedonians were distinct people or just another Greeks. Ironically the original Synopsis of the film makes the clear distinction between Macedonians and Greeks. There we read: “Alexander led his virtually invincible Greek and Macedonian armies through 22,000 miles…His extraordinary journey begins when Alexander launches his invasion from Macedonia…” Yet although in the Synopsis the Macedonians are separate from the Greeks, and they left from Macedonia and not from Greece, Stone has them fighting for the “glory of Greece”?! The error is obvious. Continue Reading

Hellenistic, Alexander the Great in a Himation, after an original by Lysippos, late 4th or 3rd century BCE
(Source : Nec Spe, Nec Metu, Tumblr)

Alexander the Great, Turquoise & Gold Ring. (Via Elizabeth Anne, Pinterest)

Alexander the Great on his chariot, circa 1840 (Via Elaine Howard, Pinterest)

Medusa Gold, from the tomb of Philip II

Silver wine jug from the tomb of Philip II.
Source : Culture24

Head of Hephaestion. Unknown. Greek, about 320 B.C. Marble. The J. Paul Getty Museum.
The son of a noble Macedonian family, Hephaestion was the beloved companion of Alexander the Great. Together since boyhood, Hephaestion fought alongside Alexander as he created his great empire. When Hephaestion died in Persia in 324 B.C., Alexander mourned him extravagantly. He was given a royal funeral and Alexander ordered the cities of Greece to worship Hephaestion as a hero.
This head of Hephaestion, broken from a full-length statue, was originally part of a multi-figured group, which might have depicted a sacrificial scene. The J. Paul Getty Museum has more than thirty fragments of this group. The participants include Alexander, Hephaestion, a goddess, Herakles, a flute player, and several other figures, as well as animals and birds. This group may have served as a funerary monument for some nobleman who wanted to associate himself with Alexander, or it might be a monument erected in response to Alexander’s call for the creation of a hero cult.
The appearance of this head has changed over time. A metal ribbon or diadem once circled the head, although only a shallow groove remains today. The head was also re-carved in antiquity, with the hair shortened and the lower eyelids altered.